Photo: The Central SNPMB Monitoring and Evaluation Team, represented by R. Urip Purwono, Ph.D., Psychologist (fourth from the left), together with the UTBK-SNBT Committee of ISI Bali at the Design Hub Building, ISI Bali, Wednesday (April 22).
The Central Monitoring and Evaluation (Monev) Team of the National Selection Committee for New Student Admissions (Seleksi Nasional Penerimaan Mahasiswa Baru, SNPMB) conducted an on-site review of the Computer-Based Written Examination for the National Test-Based Selection (Ujian Tulis Berbasis Komputer Seleksi Nasional Berbasis Tes, UTBK-SNBT) at the Indonesian Institute of the Arts Bali (ISI Bali) on Wednesday (April 22). This activity took place at the Design Hub Building of ISI Bali, which serves as one of the official UTBK examination centers for 2026.
The Central SNPMB Monev Team was represented by R. Urip Purwono, Ph.D., Psychologist. Upon arrival, the team was welcomed by the Rector of ISI Bali, Prof. Dr. Wayan “Kun” Adnyana; the Vice Rector for Academic Affairs and Information Systems, Prof. Dr. AA Gde Bagus Udayana; the Head of the Internal Supervisory Unit (SPI), Dr. Made Bayu Pramana; the Head of the ICT Unit (UPA TIK), Agus Ngurah Arya Putraka, M.Sn; the Head of Academic Affairs, Ketut Adi Sugita, M.M.; along with members of the UTBK-SNBT organizing committee at ISI Bali.
The monitoring and evaluation activities were conducted on the second day of the UTBK-SNBT implementation, specifically during sessions three and four. The team began their inspection at the UTBK-SNBT secretariat room on the first floor, followed by visits to examination rooms 1A through 1D on the same floor, and continued with inspections of examination rooms located on the third and fourth floors.
Photo: The Central SNPMB Monitoring and Evaluation Team, represented by R. Urip Purwono, Ph.D., Psychologist (second from the right), wes the implementation of UTBK-SNBT at the Design Hub Building, ISI Bali, Wednesday (April 22).
During the monitoring and evaluation process, the team ensured that all aspects of the examination were conducted in accordance with established procedures and standards. Key areas of assessment included the availability and reliability of electricity supply, the stability of internet connectivity, the condition of computer equipment used by participants, and the adequacy of supporting facilities in each examination room.
In addition, the team evaluated the examination entry procedures, including identity verification, screening using metal detectors, storage of personal belongings, and the seating process within examination rooms. The condition of the server room was also carefully reviewed to ensure optimal system performance without technical disruptions.
R. Urip Purwono, Ph.D., Psychologist, representing the Central SNPMB Monev Team, stated that the monitoring and evaluation activities form part of a broader quality assurance effort for the implementation of UTBK-SNBT across all examination centers. “Thus far, the implementation of UTBK-SNBT at ISI Bali has proceeded smoothly. No irregularities have been identified, and the facilities provided are adequate,” he noted.
Meanwhile, the Vice Rector for Academic Affairs and Information Systems of ISI Bali, Prof. Dr. AA Gde Bagus Udayana, expressed appreciation for the monitoring and evaluation conducted by the Central SNPMB Committee. He emphasized that such activities play a crucial role in maintaining the quality and credibility of UTBK-SNBT implementation at ISI Bali.
“This monitoring process is highly beneficial in ensuring that all procedures comply with national standards. We are committed to delivering the best possible service to participants so they can undertake the examination in a comfortable and conducive environment,” he stated.
Based on the positive monitoring results, ISI Bali remains committed to maintaining consistent service quality as a UTBK-SNBT examination center, while supporting the implementation of a transparent, accountable, and high-quality national selection process.
For reference, ISI Bali has once again been designated as one of the UTBK-SNBT examination centers for 2026. The UTBK at ISI Bali is conducted centrally at the Design Hub Building from April 21 to April 27, 2026.
Over the seven-day examination period, ISI Bali serves a total of 3,608 participants across 13 examination sessions. To support the implementation, ISI Bali has prepared 10 computer laboratories equipped with a total of 330 computer units.
A total of 289 faculty members and administrative staff are involved in the implementation, occupying various strategic roles such as monitoring and evaluation personnel, server administrators, room IT technicians, room supervisors, invigilators, healthcare personnel, technical administrators, and electrical technicians. The examination process is further supported by security and cleaning staff to ensure a conducive testing environment. (ISI Bali/Public Relations)
Photo:Mecaru, Mlaspas, Pasupati, and Mapadagingan ceremonies, Saturday (April 4) at the ISI Bali campus.
The Institut Seni Indonesia Bali (ISI Bali) conducted a series of sacred ceremonies—Mecaru, Mlaspas, Pasupati, and Mapadagingan—on Saturday (April 4), coinciding with the holy day of Saraswati Day (Saniscara Kliwon Wuku Watugunung) within the ISI Bali campus. These rituals were performed as part of the purification and harmonization process for several newly constructed and recently renovated buildings on campus.
The buildings included in the ceremonies were Gedung Jineng, Bencingah Agung, Candi Nretya Mandala, Tugu Nama, Gedung Natya Mandala, and Gedung Gede Manik. Faculty members, students, and administrative staff of ISI Bali collectively participated in the solemn proceedings.
Photo:Mecaru, Mlaspas, Pasupati, and Mapadagingan ceremonies, Saturday (April 4) at the ISI Bali campus.
The Mecaru ritual was conducted as an effort to maintain harmony and balance between the sekala (visible) and niskala (spiritual) realms within the campus environment. Subsequently, the Mlaspas and Pasupati ceremonies were carried out to purify the buildings and invoke spiritual empowerment, ensuring their readiness for academic, artistic, and service-related activities at ISI Bali. Meanwhile, Mapadagingan symbolized the process of enlivening and activating the buildings for functional use.
Photo:Ayahan performance of Baris Gede dance by ISI Bali students during the ceremonies, Saturday (April 4) at the ISI Bali campus.
The ceremonial series was further enriched by various artistic offerings (ayahan) presented by the ISI Bali academic community. Students performed a Gamelan Ritus concert, Rejang Dewa dance, Baris Gede dance, and Topeng Wali as integral components of the sacred ritual offerings.
In addition, the Dharma Wanita Persatuan (DWP) of ISI Bali presented the Rejang Nata Hita dance. This performance enhanced the solemnity of the while reflecting the collective spirit and unity of all campus members in supporting the successful implementation of the ceremonies. (ISIBALI/Public Relations)
Photo:Rejang Nata Hita dance performance by DWP ISI Bali during the ceremonies, Saturday (April 4) at the ISI Bali campus.
Photo: The Minister of Tourism of the Republic of Indonesia, Widiyanti Putri Wardhana, B.Sc., reviews the Retrospective Exhibition of Contemporary Painting “Parama Paraga” at Nata-Cita Art Space (N-CAS), ISI Bali, on Wednesday (March 25).
The extensive trajectory of contemporary visual art is encapsulated in the Retrospective Exhibition of Contemporary Painting “Parama Paraga” by artist and Rector of the Indonesian Institute of the Arts (ISI Bali), Prof. Dr. Wayan Kun Adnyana, held at Nata-Cita Art Space (N-CAS) ISI Bali on Wednesday (March 25) afternoon.
This exhibition represents a personal initiative by Prof. Kun Adnyana, presenting a reflection on more than two decades of his artistic practice. Curated by Jeon Dongsu, Warih Wisatsana, and Alaida Niwaya, the exhibition features 88 works that demonstrate a visual transformation—from explorations of the human body to the development of abstract compositions grounded in line and color.
At the opening, the Minister of Tourism of the Republic of Indonesia, Widiyanti Putri Wardhana, B.Sc., was in attendance and directly observed the exhibited works. Her presence also formed part of the opening series of the Fifth Widya Mahardika Kalangan, held within the ISI Bali campus environment.
Photo: The Retrospective Exhibition of Contemporary Painting “Parama Paraga” by Prof. Kun Adnyana at Nata-Cita Art Space (N-CAS), ISI Bali, Wednesday (March 25).
In his statement, Prof. Kun Adnyana emphasized that “Parama Paraga” constitutes a long-term process documenting the evolving dynamics of his artistic inquiry. “This is a long process—spanning more than 20 years—from the exploration of the body toward pure color compositions, with line as the primary foundation,” he explained.
The Professor of Art History also associated the exhibition with the spirit of the Fifth Widya Mahardika Kalangan, which carries the theme “Kirtya–Jnana–Kawya,” as an effort to explore and elevate knowledge through artistic practice.
As an art space situated within an academic environment, Nata-Cita Art Space (N-CAS) ISI Bali serves as a strategic platform for presenting contemporary visual art practices to the public while strengthening the academic ecosystem. The presence of this solo exhibition also highlights the dual role of Prof. Kun Adnyana—not only as an institutional leader but also as an actively practicing artist.
Prof. Kun Adnyana further noted that the event is not merely an exhibition, but also an “academic arts festival” that encourages lecturers and students to confidently engage on the global stage. “Cultural-based tourism is a fundamental pillar in advancing Balinese arts and culture. Therefore, we invited the Minister of Tourism as part of a synergy between the art world and the tourism sector,” he asserted.
Minister Widiyanti Putri Wardhana, B.Sc., expressed particular appreciation for the exhibition, noting its artistic strength and thematic diversity. According to her, the works not only possess aesthetic value but also enrich the cultural narrative of Bali within the development of contemporary art.
The “Parama Paraga” exhibition is scheduled to run until May 4 and is open to the public as a space for appreciating the extensive journey of an artist in responding to the evolution of contemporary visual art.
Photo: The Opening of the Fifth Widya Mahardika Kalangan at the Kirtya Sabha Mahottama Auditorium, Indonesian Institute of the Arts (ISI Bali), Wednesday (March 25).
The Minister of Tourism of the Republic of Indonesia, Widiyanti Putri Wardhana, B.Sc., officially inaugurated the Fifth Widya Mahardika Kalangan (Academic Arts Week), themed Kirtya–Jnana–Kawya “The Nobility of Elevated Knowledge,” at the Kirtya Sabha Mahottama Auditorium, Indonesian Institute of the Arts (ISI Bali), on Wednesday (March 25). Now in its fifth year, this event continues to serve as a creative platform that integrates artistic development, knowledge advancement, and the reinforcement of Balinese cultural values.
In her remarks, Widiyanti highlighted the shifting trends in global tourism, which are increasingly oriented toward more meaningful and immersive experiences. According to her, tourists are no longer merely seeking destinations, but rather experiences that provide deeper significance.
She also expressed appreciation for the role of ISI Bali as an arts education institution closely connected to the tourism ecosystem. She noted that the contributions of its academic community and alumni have enriched various cultural and artistic events, both at the local and national levels.
“Widya Mahardika Kalangan has been held for five years and has become an important platform for showcasing innovation while exploring the noble values of Balinese tradition,” she stated.
Photo: The Opening Ceremony of the Fifth Widya Mahardika Kalangan at the Kirtya Sabha Mahottama Auditorium, Indonesian Institute of the Arts (ISI Bali), Wednesday (March 25).
The Minister of Tourism of the Republic of Indonesia, Widiyanti Putri Wardhana, B.Sc., officially inaugurated the Fifth Widya Mahardika Kalangan (Academic Arts Week), themed Kirtya–Jnana–Kawya “The Nobility of Elevated Knowledge,” at the Kirtya Sabha Mahottama Auditorium, Indonesian Institute of the Arts (ISI Bali), on Wednesday (March 25). Now entering its fifth year, the event continues to function as a creative platform that integrates artistic development, intellectual advancement, and the strengthening of Balinese cultural values.
In her remarks, Widiyanti underscored the shifting trends in global tourism, which are increasingly oriented toward deeper and more meaningful experiences. According to her, tourists are no longer merely seeking destinations, but rather experiences that offer significance and lasting impressions.
She also expressed her appreciation for the role of ISI Bali as an arts education institution that maintains a close relationship with the tourism ecosystem. She emphasized that the contributions of its academic community and alumni have enriched a wide range of cultural and artistic events at both local and national levels.
“Widya Mahardika Kalangan has been held for five years and has become an important platform for presenting innovation while exploring the noble values inherent in Balinese traditions,” she stated.
Photo: The Opening of the Fifth Widya Mahardika Kalangan at the Kirtya Sabha Mahottama Auditorium, Indonesian Institute of the Arts (ISI Bali), Wednesday (March 25).
The Fifth Widya Mahardika Kalangan presents a diverse range of artistic programs that reflect the richness of expression and innovation of the academic community of the Indonesian Institute of the Arts (ISI Bali). The series of events includes a Colossal Intermedium Performance entitled Kirtya–Jnana–Kawya as the main opening highlight, as well as a Retrospective Exhibition of Contemporary Painting, Parama Paraga, featuring the works of the Rector of ISI Bali, Prof. Dr. Wayan Kun Adnyana.
In addition, the Widya Mahardika Kalangan also showcases a Ritual Performing Arts Procession imbued with traditional values, alongside a Dance-Drama Performance of Luwih Arja Luh entitled Ranu–Saraswati–Rasmi, representing the development of tradition-based performing arts through creative and contextual approaches.
Photo: Performance of Serng Kratip Dance by students of Angthong College of Dramatic Arts and Roi Et College of Dramatic Arts, Thailand, together with students of ISI BALI, Monday (23/2) at Natya Mandala Hall, ISI BALI.
The Indonesian Institute of the Arts Bali (ISI BALI) held an art performance featuring a cultural collaboration between Angthong College of Dramatic Arts and Roi Et College of Dramatic Arts, Thailand, and the academic community of ISI BALI on Monday (23/2) at Natya Mandala Hall, ISI BALI. This performance served as a continuation of the art workshop previously conducted with the Thai delegation, as well as a platform for appreciating the outcomes of the learning process and cultural exchange that had taken place.
The event commenced with the performance of Selat Segara Dance presented by students of the Performing Arts Education Study Program (PSP) at ISI BALI, accompanied by gamelan music performed by PSP students. This opening performance created a dynamic atmosphere while introducing the richness of Balinese performing arts to the guests from Thailand.
Photo: Karawitan performance by lecturers from Angthong College of Dramatic Arts and Roi Et College of Dramatic Arts, Thailand, together with lecturers and students of ISI BALI, Monday (23/2) at Natya Mandala Hall, ISI BALI.
Subsequently, the Thai delegation presented three traditional Thai dances representing the cultural diversity of various regions of Thailand. The first performance was Fon Dok Mai or Dance of Flowers, a traditional dance characterized by graceful hand movements and the use of flower props symbolizing beauty and harmony.
The second dance was Serng Kratip, a folk dance from the Isan region distinguished by dynamic movements and the use of pleated cloth that forms a wing-like silhouette as the dancers move. This dance was performed collaboratively by Thai students together with ISI BALI students who had previously participated in the Thai traditional dance workshop.
The performance concluded with an Isan folk dance performed in pairs by male and female dancers. The dance portrays the joyful and communal life of rural society, expressed through energetic and expressive movements.
In addition to the dance performances, the event also showcased the results of the karawitan workshop previously conducted with ISI BALI students. The performance was presented by lecturers from Thailand together with the Vice Rector for Student Affairs and Cooperation of ISI BALI, Prof. Dr. Komang Sudirga; the Head of the Institute for Research and Community Service (LPPM), Dr. Ketut Garwa; the Coordinator of the Performing Arts Education Study Program (PSP), Putu Hartini, M.Sn; the Coordinator of the Karawitan Study Program, Made Dwi Andika Putra, M.Sn; and several PSP students of ISI BALI. This collaboration demonstrated the exchange of knowledge and artistic practices between both parties throughout the workshop activities.
This performance became an important momentum in strengthening academic and cultural relations between ISI BALI and arts institutions from Thailand. Through collaborative artistic presentations, the event enriched the artistic experiences of students while fostering cultural dialogue among artists and academics from both countries.
Photo: Institut Seni Indonesia Bali (ISI Bali) organized a traditional Thai dance workshop with delegations from Angthong College of Dramatic Arts and Roi Et College of Dramatic Arts, Monday (23/2) at the Dance Studio of ISI Bali.
Institut Seni Indonesia Bali welcomed a delegation from Angthong College of Dramatic Arts and Roi Et College of Dramatic Arts, Thailand, as part of an initiative to explore institutional cooperation in the fields of performing arts and collaborative workshops. The activity took place on Monday (23/2) at the Natya Mandala Building, ISI Bali.
The Thai delegation consisted of institutional leaders, lecturers, and students from both colleges. The delegation from Angthong College of Dramatic Arts was led by its Director, Etsawat Paksin, accompanied by faculty members Channar Kaeosawang, Chalermchai Pimonrak, Ratchanewan Srinsakrat, Suchanya Kongsin, Thitima Ongthong, and Atitak Rukdee, along with students Vongathorn Timnoee, Nattanan Chumsuwan, and Kanyarat Kumsin.
Meanwhile, the delegation from Roi Et College of Dramatic Arts was led by its Director, Benjita Petchsom, together with Deputy Director Kemika Wongamrin. The delegation also included lecturers Achariya Wongsi, Nattawan Pimonket, Phailin Sarnkam, Chaimongkhon Sriphaet, Runset Sritham, and Pongsakda Padkeoplon, as well as students Jariya Chosakao and Chanantida Luaksiase.
Photo: A Balinese gamelan (karawitan) workshop attended by lecturers from Angthong College of Dramatic Arts and Roi Et College of Dramatic Arts, Thailand, Monday (23/2) at the Karawitan Studio of ISI Bali.
In addition to discussions on potential institutional cooperation, the visit was also marked by a series of arts workshops as a form of knowledge exchange and artistic experience between the participating institutions. The Thai delegation conducted a traditional Thai dance workshop at the Dance Studio of ISI Bali, attended by students of the Dance Study Program. The activity provided students with the opportunity to learn about the techniques, aesthetics, and movement characteristics of Thai dance traditions.
As a reciprocal initiative, ISI Bali organized a karawitan (Balinese traditional gamelan music) workshop at the Karawitan Studio. The session was delivered by the Vice Rector for Student Affairs and Cooperation of ISI Bali, Komang Sudirga, together with the Head of the Institute for Research and Community Service (LPPM) of ISI Bali, Ketut Garwa. The workshop was attended by lecturers and students from the Thai delegation, who were introduced to the fundamentals of Balinese traditional music, particularly through practical engagement with karawitan performance.
