Photo: Visit by the Indonesian National Commission on Disability and Gerkatin Bali Province, on Friday (5/12) at the Nata Widya Sabha Room, ISI Bali.
Indonesian Institute of the Arts Bali (ISI Bali) welcomed a visit from the Indonesian National Commission on Disability (KND) and the Indonesian Movement for the Welfare of the Deaf (Gerkatin) Bali Province on Friday (5/12), at the Nata Widya Sabha Room. The delegation was received by the Vice Rector for Planning, Finance, and General Affairs, Dr. I Made Jodog, accompanied by senior ISI Bali officials.
The KND delegation was led by Commissioner Dr. Rachmita Maun Harahap, ST., M.Sn., and accompanied by KND Special Staff member Rafika Yanti, SKM. Also present were representatives from Gerkatin Bali, together with academic leaders at ISI Bali, including the Head of the Institute for Research and Community Service Dr. Ketut Garwa, Deputy Dean for Student Affairs and Cooperation, Faculty of Fine Art and Design Dr. Desi In Diana Sari, and several programme coordinators.
The discussion focused on strengthening the fulfilment of rights and access for students with disabilities in higher education. A key agenda item was the plan to establish a Disability Services Unit, which will serve as a centre for assistance, support services, and coordination of inclusive academic needs.
The session also explored strategies to improve inclusiveness, accessibility, and academic support systems at ISI Bali, in line with national policies and international principles of inclusive education.
Photo: Visit by the Indonesian National Commission on Disability and Gerkatin Bali Province, on Friday (5/12) at the Nata Widya Sabha Room, ISI BALI.
During the dialogue, a deaf student named Putu Wahyu Putra Sudianta shared his personal experience navigating academic challenges. Currently enrolled in the Master of Arts programme—after completing his undergraduate studies in Dance at ISI Bali—he emphasised that written assignments were the most demanding aspect of his learning journey, due to differences between deaf language structures and conventional academic writing.
Despite these challenges, Putu Wahyu has successfully adapted with the support of lecturers and fellow students. His testimony highlights the importance of accessible learning environments that empower students with disabilities both academically and artistically.
ISI Bali reaffirmed its commitment to continuously enhancing educational services and ensuring equal learning opportunities for all students. Through collaborative initiatives with national stakeholders, ISI Bali aims to develop a more inclusive, responsive, and welcoming campus environment.
This meeting marks an important milestone in ISI Bali’s ongoing journey towards fostering an inclusive campus that enables every student to grow, contribute, and excel.
Now Home to 23 Professors out of 231 Permanent Faculty Members
Photo: Inauguration and Public Address of the Newly Appointed Professors “Karma-Citta-Waskita,” Tuesday (2/12) at the Kirtya Sabha Mahottama Auditorium, ISI Bali.
The Indonesian Institute of the Arts Bali (ISI Bali) officially conferred the titles of Professor upon two newly appointed faculty members during the “Karma-Citta-Waskita” Inauguration and Public Address, held on Tuesday (2/12) at the Kirtya Sabha Mahottama Auditorium, ISI Bali. The two new Professors are Prof. Dr. I Gede Yudarta and Prof. Dr. Ni Made Arshiniwati.
In his remarks, the Rector of ISI Bali, Prof. Dr. Wayan “Kun” Adnyana, stated that Prof. Dr. I Gede Yudarta, specializing in Art Studies, received his professorship based on the Decree of the Minister of Higher Education, Science, and Technology of the Republic of Indonesia Number 43320/M/KPT.KP/2025 dated 12 October 2025. Meanwhile, Prof. Dr. Ni Made Arshiniwati, specializing in Art and Cultural Studies, received her professorship based on Ministerial Decree Number 43317/M/KPT.KP/2025, also dated 12 October 2025. Four Associate Professors who have passed the professorial competency assessment are currently awaiting the issuance of their respective Ministerial Decrees. With the inauguration of the two new Professors, ISI Bali now has 23 Professors among its 231 permanent faculty members. This achievement—amounting to 10% Professorship—is the highest among all arts-focused higher education institutions in Indonesia.
Photo: Inauguration and Public Address of the Newly Appointed Professors “Karma-Citta-Waskita,” Tuesday (2/12) at the Kirtya Sabha Mahottama Auditorium, ISI Bali.
Prof. Kun Adnyana further emphasized that the dedication and perseverance of the newly appointed Professors should serve as an inspiration for all Associate Professors at ISI Bali. Both scholars have worked diligently to meet reputable journal publication requirements, demonstrate sustained academic achievements, and provide supporting documentation aligned with their respective fields for the advancement of ISI Bali.
“Angayubagia, today, Tuesday (Anggara Pon–Langkir), 2 December 2025, we inaugurate and introduce to the public two distinguished new Professors of ISI Bali, Prof. Yudarta and Prof. Arshiniwati. These Professors have dedicated more than 30 years of service as guardians of ISI Bali’s academic excellence,” he stated.
The Deputy Mayor of Denpasar, I Kadek Agus Arya Wibawa, S.E., M.M., who attended and delivered remarks at the inauguration, expressed his appreciation for the contributions of Prof. Yudarta and Prof. Arshiniwati in preserving and developing Balinese arts and culture.
“We at the Denpasar City Government are very proud and remain committed to strengthening our collaboration with all educational institutions, particularly ISI Bali, in realizing Denpasar as a cultural, creative, and globally competitive city. We hope that the Professors inaugurated today will serve as beacons of knowledge that illuminate students’ academic journeys, and as thought leaders who guide the development of Bali’s arts, culture, and scholarship,” he stated.
During the Open Senate Session for the Inauguration and Public Address of the Newly Appointed Professors, the two Professors delivered their inaugural lectures. Prof. Yudarta presented an oration titled “Cultural Capital and Symbolic Co-optation in Nyongkolan Music Contests in Lombok: An Arts Studies Perspective,” while Prof. Arshiniwati delivered an oration titled “Kirana Rasmi Dance: Cultural Expression in the Arts.” (ISI Bali/Public Relations)
Photo: Adhyapaka Wara Forum activities at Jatiluwih Tourist Attraction (DTW), Tabanan, Tuesday (25/11). The Indonesian Institute of the Arts Bali (ISI Bali) once again held the Adhyapaka Wara Forum (Capacity Building) from Monday to Thursday (24–27/11), at the ISI Bali Campus and the Jatiluwih Tourist Attraction (DTW) in Tabanan. The program, themed “Bhakti–Bhuwana–Bhakta (An Offering to Honor the World)”, served as a strategic platform to strengthen character, solidarity, and institutional commitment in shaping an academic community that is service-oriented, impactful, and adaptive to contemporary challenges.
The Committee Chair, Dr. Made Bayu Pramana, reported that this year’s Capacity Building program was attended by 80 participants consisting of institutional leaders, lecturers, and administrative staff of ISI Bali. All participants were divided into ten sekaa (groups): Sekaa Kuas, Kipas, Panggul, Kelir, Kamera, Potlot, Kanvas, Pahat, Suling, and Cukil. The program was further supported by 20 committee members working intensively from preparation to reporting phases.
Photo: Socialization and workshop sessions of the Adhyapaka Wara Forum at the ISI Bali Vicon Room, Monday (24/11). Over four days, participants completed a total of 50 hours of training through activities designed to strengthen physical endurance, mental resilience, leadership capacity, spirituality, and creativity. The agenda included morning exercise, health check-ups, an opening session and presentation by the Rector of ISI Bali, socialization on Impactful State Financial Management by BPKP Bali Province, reflection and projection sessions on “ISI Bali for Impact,” leadership workshops, ISI Bali Mars and Hymn workshops, a unity bonfire ceremony, prayer and worship sessions, and various outdoor activities in Jatiluwih such as Jelajah Arah and Jelajah Jejak Jatiluwih. Participants also joined the Bhuwana Manah sessions, which included updating institutional LED documents, developing business maps, conducting academic reviews, as well as painting workshops, Tirtha Yatra, Ajang Sambung Ujung, and a seminar on tourism attraction management.
Photo: Unity Bonfire activity during the Adhyapaka Wara Forum at Widya Mahardika Field, ISI Bali, Monday evening (24/11). The implementation of Adhyapaka Wara 2025 is expected to foster a renewed mindset—more responsive in service, more creative, and more oriented toward generating impactful contributions for the institution and society. The spirit of togetherness cultivated throughout the program further strengthened relationships among leaders, lecturers, and staff in realizing ISI Bali as a distinguished and dignified art institution.
Photo:Bhuwana Manah session during the Adhyapaka Wara Forum at Jatiluwih DTW, Tabanan, Wednesday (26/11). During this occasion, ISI Bali also issued the Buku Sakti ISI Bali, containing mantras of institutional appreciation as a guide for aligning perspectives among all members of the academic community, as well as the ISI Bali Impact Vision Pocketbook, outlining the institution’s aspirations for future development. The Committee Chair concluded his report with words of gratitude and apologies for any shortcomings during the program, while expressing hope that the values gained throughout the activities may continue to be practiced and embodied by all participants. (ISI Bali/Public Relations)
Photo: Opening of the National Visual Arts and Design Exhibition (Waskita Rupa) at Sangkring Art Space, Saturday (8/11). The Indonesian Institute of the Arts Bali (ISI Bali) organized the National Visual Arts and Design Exhibition (Waskita Rupa): Warma Bhuwana Wangsa – The Human Offering to the World. This exhibition forms part of the Bali Nata Bhuwana IV series, serving as a national platform for the actualization of academic and creative learning outcomes.
This prestigious event took place at Sangkring Art Space from 8 to 18 November 2025. The opening ceremony, held on Saturday (8/11), was officiated by Gusti Pangeran Haryo Indrokusumo, representing the Adipati of Pakualaman, Kanjeng Gusti Pangeran Adipati Aryo (KGPAA) Paku Alam X. The event was attended by the Rector of ISI Yogyakarta and colleagues, delegates from the Indonesia Institute of Art and Culture (ISBI) Bandung, academics, and distinguished artists from various regions across Indonesia.
Photo: National Visual Arts and Design Exhibition (Waskita Rupa) at Sangkring Art Space, Saturday (8/11). Curated by Prof. Dr. I Wayan Karja, MFA and Dr. A.A. Gede Rai Remawa, the exhibition presented works by artists and designers from nine higher education institutions in Indonesia: ISI Bali, ISI Yogyakarta, ISI Surakarta, ISBI Bandung, Universitas Negeri Surabaya, STKW Surabaya, Institut Kesenian Jakarta, Telkom University, and Universitas Bumigora. More than 60 artists and designers participated, including A.A. Anom Mayun Kt., Agung Cahyana, Aries Burdani, Bayu Segara Putra, Cokorda Alit Artawan, Danang Priyanto, Djul Djati Parmuhadi, and many others representing a wide diversity of styles, media, and artistic perspectives.
Representing the Adipati Pakualaman, Gusti Pangeran Haryo Indrokusumo expressed appreciation for the exhibition initiated by ISI Bali. “We welcome the overarching theme Warma–Bhuwana–Wangsa, interpreted as The Human Offering to the World. This philosophy resonates strongly with the cultural ethos of the Nusantara, where art is not merely a form of self-expression but also an offering and a contribution to humanity and the universe.”
The Rector of ISI Bali, Prof. Dr. Wayan ‘Kun’ Adnyana, explained that the exhibition—intended to disseminate research and artistic creations by ISI Bali lecturers and students—constitutes a tangible manifestation of the “offering” of knowledge and aesthetics. It is a noble endeavor to embrace and enlighten the public through visionary and meaningful artistic works.
Prof. Kun Adnyana further added that the selection of the Special Region of Yogyakarta as the venue, particularly Sangkring Art Space for the Waskita Rupa Exhibition, signifies the enduring cultural ties between Bali and Java, especially Yogyakarta. (ISI Bali/Public Relations)
Photo: National Art Performance (Kalang Kalangon), Sunday (9/11) at Bangsal Kepatihan, Pakualaman, Yogyakarta. As part of the Bali Nata Bhuwana IV 2025 series, the Indonesian Institute of the Arts Bali (ISI Bali) organized the national art performance Kalang Kalangon, themed “Warma–Bhuwana–Wangsa: Human Virtue for the World”, on Sunday (9/11) at Bangsal Kepatihan, Pakualaman, Yogyakarta. This event served as a dissemination platform for the outcomes of the Research, Creation, and Dissemination of Art and Design (P2DSD) program conducted by ISI Bali lecturers, showcasing research outputs, artistic creations, and innovative works in a public performance format.
The Kalang Kalangon performance was officially opened by Gusti Pangeran Haryo Indrokusumo, representing Kanjeng Gusti Pangeran Adipati Aryo (KGPA) Paku Alam X, Adipati of the Pakualaman Duchy. In his opening remarks, he expressed his appreciation for ISI Bali’s contribution to enriching the national arts ecosystem and strengthening cultural relations between Yogyakarta and Bali.
Photo: The Rector of ISI Bali, Prof. Dr. Wayan “Kun” Adnyana, presents a souvenir to Gusti Pangeran Haryo Indrokusumo and the Chair of the Senate Commission of ISI Yogyakarta, Prof. Dr. I Wayan Dana, S.S.T., M.Hum., on Sunday (9/11) at Bangsal Kepatihan, Pakualaman, Yogyakarta. In his remarks, the Rector of ISI Bali, Prof. Dr. I Wayan Adnyana, stated that the Kalang Kalangon performance reflects ISI Bali’s commitment to affirming the arts as a space where values, knowledge, and humanity converge. “Through the theme Warma–Bhuwana–Wangsa, we aim to underscore that art is a form of derma—a creative offering of humanity to the world. This performance serves as a medium for building cultural networks, strengthening interregional collaboration, and presenting works emerging from research, teaching, and artistic practice within the academic environment,” he remarked.
Photo:Warma–Bhuwana–Wangsa Dance Performance (The Human Offering to the World), Sunday (9/11) at Bangsal Kepatihan, Pakualaman, Yogyakarta. This performance presented a curated selection of artworks as a form of “offering” of knowledge, creativity, and aesthetics to the public. The works showcased included Tari Golek Nangun Asmara by AKN Yogyakarta, Ladrang Asmaradana Laras Pelog Pathet Nem Concert by AKN Yogyakarta, and Tari None Nyentrik by Sanggar Ayodya Pala Jakarta. The award-winning P2DSD impactful works from ISI Bali featured in the event were Tari Prasnaya Prami, Kebyar Citta Utsawa Concert, and the main presentation, Tari Warma–Bhuwana–Wangsa (The Human Offering to the World).
Through this performance, ISI Bali not only presented artistic showcases but also disseminated research and creative outputs from its lecturers and students, demonstrating a concrete academic and artistic contribution to the development of Indonesian arts and culture. The event served as an important platform for strengthening creative dialogue among artists, scholars, and the public, while underscoring the role of art as a path of human devotion to the world. (ISI Bali/Public Relations)
Art Innovation Born from Silence: ISI Bali Fosters Self-Confidence among the Disabled Community through the Pependetan Nirmala Dance in Buleleng, Bali
Photo: Joint practice session with the Kolok community in Bengkala Village, Buleleng, Bali, Thursday (30/10)
The proposal team from the Indonesian Institute of the Arts (ISI) Bali successfully implemented the Nusantara Art Innovation Program (PISN) with the theme “Art Innovation from Silence: Building Expression and Self-Confidence among the Disabled Community through the Pependetan Nirmala Dance.” The program was led by Ida Ayu Trisnawati, with team members I Gusti Putu Sudarta and Ida Bagus Ketut Trinawindu, and involved three ISI Bali students: Made Tarayana Amanda Putra, I Dewa Gede William Sedana Putra, and Komang Jana Arta Saputra.
The program was centered in Bengkala Village, Buleleng Regency, widely known as the “Deaf Village” (Desa Kolok) due to its community of people with hearing impairments. Although the village possesses strong artistic potential, the disabled community still faces various limitations in accessing spaces for artistic expression and personal development. This situation inspired the creation of an artistic work that is not only aesthetically appealing but also socially and spiritually meaningful.
Through the creation of the Pependetan Nirmala Dance, the ISI Bali team sought to establish an inclusive artistic space—one that provides individuals with disabilities the opportunity to express themselves, enhance their self-confidence, and at the same time preserve the cultural and spiritual values of Balinese society. This initiative also aligns with broader efforts to strengthen human resource development in the fields of art, education, gender equality, and the empowerment of persons with disabilities.
The program was carried out in several stages, beginning with the PISN socialization session on 17 October 2025, followed by the Pependetan Nirmala dance training on 30 October 2025. The training took place in collaboration with the Kolok Santhi Community at Banjar Dinas Kajanan, Bengkala Village, Kubutambahan District, Buleleng Regency. The activities were conducted in an atmosphere of enthusiasm and inclusivity, where participants not only learned basic movements and choreography but also explored self-expression, spiritual meanings of movement, and collaborative creation.
In addition to the training, the program included the design of adaptive costumes and properties, intensive mentoring, and documentation of both process and outcomes. Ultimately, the program aims to produce a model of inclusive performing arts that can be adopted by other communities, while reinforcing the interconnection between art, culture, and social empowerment.
Photo: With the Kolok community in Bengkala Village, Buleleng, Bali.
The outcomes of this program have been remarkably positive. Members of the Kolok Santhi Community demonstrated significant improvement in their artistic skills, self-confidence, and enthusiasm in presenting their creations. The culmination of these efforts was the successful staging of an inclusive performance of the Pependetan Nirmala dance, which received widespread appreciation from both the people of Bengkala Village and art enthusiasts.
In addition to the performance, the program also produced a dance learning module, an instructional video, and popular scientific documentation as references for the future development of inclusive art practices. Thus, the Pependetan Nirmala dance stands not only as a new artistic creation but also as a symbol of togetherness, courage, and beauty born from silence.
This program serves as a testament that art can be a bridge for everyone to express themselves—beyond physical abilities or social conditions. Through the collaboration between academics, artists, and local communities, ISI Bali has successfully demonstrated that innovation within traditional arts can generate tangible and sustainable social transformation.
