Photo: Opening of the National Visual Arts and Design Exhibition (Waskita Rupa) at Sangkring Art Space, Saturday (8/11). The Indonesian Institute of the Arts Bali (ISI Bali) organized the National Visual Arts and Design Exhibition (Waskita Rupa): Warma Bhuwana Wangsa – The Human Offering to the World. This exhibition forms part of the Bali Nata Bhuwana IV series, serving as a national platform for the actualization of academic and creative learning outcomes.
This prestigious event took place at Sangkring Art Space from 8 to 18 November 2025. The opening ceremony, held on Saturday (8/11), was officiated by Gusti Pangeran Haryo Indrokusumo, representing the Adipati of Pakualaman, Kanjeng Gusti Pangeran Adipati Aryo (KGPAA) Paku Alam X. The event was attended by the Rector of ISI Yogyakarta and colleagues, delegates from the Indonesia Institute of Art and Culture (ISBI) Bandung, academics, and distinguished artists from various regions across Indonesia.
Photo: National Visual Arts and Design Exhibition (Waskita Rupa) at Sangkring Art Space, Saturday (8/11). Curated by Prof. Dr. I Wayan Karja, MFA and Dr. A.A. Gede Rai Remawa, the exhibition presented works by artists and designers from nine higher education institutions in Indonesia: ISI Bali, ISI Yogyakarta, ISI Surakarta, ISBI Bandung, Universitas Negeri Surabaya, STKW Surabaya, Institut Kesenian Jakarta, Telkom University, and Universitas Bumigora. More than 60 artists and designers participated, including A.A. Anom Mayun Kt., Agung Cahyana, Aries Burdani, Bayu Segara Putra, Cokorda Alit Artawan, Danang Priyanto, Djul Djati Parmuhadi, and many others representing a wide diversity of styles, media, and artistic perspectives.
Representing the Adipati Pakualaman, Gusti Pangeran Haryo Indrokusumo expressed appreciation for the exhibition initiated by ISI Bali. “We welcome the overarching theme Warma–Bhuwana–Wangsa, interpreted as The Human Offering to the World. This philosophy resonates strongly with the cultural ethos of the Nusantara, where art is not merely a form of self-expression but also an offering and a contribution to humanity and the universe.”
The Rector of ISI Bali, Prof. Dr. Wayan ‘Kun’ Adnyana, explained that the exhibition—intended to disseminate research and artistic creations by ISI Bali lecturers and students—constitutes a tangible manifestation of the “offering” of knowledge and aesthetics. It is a noble endeavor to embrace and enlighten the public through visionary and meaningful artistic works.
Prof. Kun Adnyana further added that the selection of the Special Region of Yogyakarta as the venue, particularly Sangkring Art Space for the Waskita Rupa Exhibition, signifies the enduring cultural ties between Bali and Java, especially Yogyakarta. (ISI Bali/Public Relations)
Photo: National Art Performance (Kalang Kalangon), Sunday (9/11) at Bangsal Kepatihan, Pakualaman, Yogyakarta. As part of the Bali Nata Bhuwana IV 2025 series, the Indonesian Institute of the Arts Bali (ISI Bali) organized the national art performance Kalang Kalangon, themed “Warma–Bhuwana–Wangsa: Human Virtue for the World”, on Sunday (9/11) at Bangsal Kepatihan, Pakualaman, Yogyakarta. This event served as a dissemination platform for the outcomes of the Research, Creation, and Dissemination of Art and Design (P2DSD) program conducted by ISI Bali lecturers, showcasing research outputs, artistic creations, and innovative works in a public performance format.
The Kalang Kalangon performance was officially opened by Gusti Pangeran Haryo Indrokusumo, representing Kanjeng Gusti Pangeran Adipati Aryo (KGPA) Paku Alam X, Adipati of the Pakualaman Duchy. In his opening remarks, he expressed his appreciation for ISI Bali’s contribution to enriching the national arts ecosystem and strengthening cultural relations between Yogyakarta and Bali.
Photo: The Rector of ISI Bali, Prof. Dr. Wayan “Kun” Adnyana, presents a souvenir to Gusti Pangeran Haryo Indrokusumo and the Chair of the Senate Commission of ISI Yogyakarta, Prof. Dr. I Wayan Dana, S.S.T., M.Hum., on Sunday (9/11) at Bangsal Kepatihan, Pakualaman, Yogyakarta. In his remarks, the Rector of ISI Bali, Prof. Dr. I Wayan Adnyana, stated that the Kalang Kalangon performance reflects ISI Bali’s commitment to affirming the arts as a space where values, knowledge, and humanity converge. “Through the theme Warma–Bhuwana–Wangsa, we aim to underscore that art is a form of derma—a creative offering of humanity to the world. This performance serves as a medium for building cultural networks, strengthening interregional collaboration, and presenting works emerging from research, teaching, and artistic practice within the academic environment,” he remarked.
Photo:Warma–Bhuwana–Wangsa Dance Performance (The Human Offering to the World), Sunday (9/11) at Bangsal Kepatihan, Pakualaman, Yogyakarta. This performance presented a curated selection of artworks as a form of “offering” of knowledge, creativity, and aesthetics to the public. The works showcased included Tari Golek Nangun Asmara by AKN Yogyakarta, Ladrang Asmaradana Laras Pelog Pathet Nem Concert by AKN Yogyakarta, and Tari None Nyentrik by Sanggar Ayodya Pala Jakarta. The award-winning P2DSD impactful works from ISI Bali featured in the event were Tari Prasnaya Prami, Kebyar Citta Utsawa Concert, and the main presentation, Tari Warma–Bhuwana–Wangsa (The Human Offering to the World).
Through this performance, ISI Bali not only presented artistic showcases but also disseminated research and creative outputs from its lecturers and students, demonstrating a concrete academic and artistic contribution to the development of Indonesian arts and culture. The event served as an important platform for strengthening creative dialogue among artists, scholars, and the public, while underscoring the role of art as a path of human devotion to the world. (ISI Bali/Public Relations)
Affirming Commitment through the Declaration of Panca Mahadharma B-GAAD
Photo: As part of the B-GAAD II 2025 series, performances of Cancala-Bhuwana-Candika, Trunajaya, and Jeriring Janger were staged at the Kirtya Sabha Mahottama Auditorium, ISI Bali, on Friday (October 31).
The Indonesian Institute of the Arts (ISI) Bali once again established itself as a central hub for higher education in the arts and design within the Asia–Pacific region through the Bali–Global Axis of Arts and Design (B-GAAD) II 2025, officially opened on Tuesday (October 28) at the Kirtya Sabha Mahottama Auditorium, ISI Bali. This year’s B-GAAD carries the theme Tutur–Bhuwana–Tuwuh (Myth–World–Memory), emphasizing the significance of myth as a living body of knowledge that shapes human wisdom and civilizational identity.
The Rector of ISI Bali, Prof. Dr. I Wayan Adnyana, stated that B-GAAD represents ISI Bali’s initiative to establish a strategic international platform for the actualization of ideas, connecting higher education institutions in art and design across the Asia–Pacific region. “B-GAAD is not merely a meeting forum but a melting ground of ideas, concepts, and visions that strengthen Asia–Pacific solidarity toward new innovations,” he remarked.
This year, B-GAAD II is joined by eleven universities, three art institutions, and one government organization from across the Asia–Pacific region, including: the National Academy of Arts, Culture and Heritage (ASWARA), Malaysia; Kazakh National Academy of Choreography; Lasalle College of the Arts and Nanyang Academy of Fine Arts (NAFA), Singapore; Phetchaburi Rajabhat University, Thailand; University of Western Australia (UWA); Kyoto Saga University of Arts and Okinawa Prefectural University of Arts, Japan; University of Iowa, United States; Jatiya Kabi Kazi Nazrul Islam (JKKNI) University, Bangladesh; and Hankuk University of Foreign Studies (HUFS), Republic of Korea. Additional support came from the Agung Rai Museum of Art (ARMA), Komaneka Art Gallery, Misato City, Japan, and the Wiswakarma Museum, Gianyar.
In his opening address, the Rector underscored that mythology—as articulated by Edith Hamilton in Mythology: Timeless Tales of Gods and Heroes (1969)—reflects the way humans have thought and felt since ancient times. Through mythology, humanity rediscovers its profound connection with nature—with the earth, sea, trees, flowers, and hills—a relationship that has gradually faded in the modern age.
Photo: Reading of the B-GAAD Declaration by the Rector of ISI Bali, Prof. Dr. Wayan “Kun” Adnyana, witnessed by the leaders of art and design universities across the Asia–Pacific region, Tuesday (October 28) at the Kirtya Sabha Mahottama Auditorium, ISI Bali.
As a manifestation of its commitment to strengthening networks of collaboration and sustaining academic excellence, B-GAAD II produced the Panca Mahadharma B-GAAD Declaration, titled Caksu–Bhuwana–Citta (Noble Vision for Shining Futures), signed by leaders and faculty members from art and design higher education institutions across the Asia–Pacific. The declaration articulates five core missions:
To strengthen partnerships for the advancement and sustainability of academic excellence;
To commit to community welfare and social responsibility;
To collaborate in preserving culture and local heritage;
To actively participate in maintaining ecological balance; and
To foster creativity and technological innovation in the arts and design.
The declaration was signed by prominent leaders and academics, including:
Prof. Dr. I Wayan Adnyana (Rector, ISI Bali, Indonesia); Asst. Prof. Dr. Sanor Klinngam, Dr. Kitsada Tungchawal, and Asst. Prof. Rapipan Thiamdaet (Phetchaburi Rajabhat University, Thailand); Prof. Kate Hislop (Dean, School of Design, University of Western Australia, Australia); Prof. Dr. Koh Young Hun (Hankuk University of Foreign Studies, Republic of Korea); Asst. Prof. Catherine Parrott, MFA (University of Iowa, United States); Prof. Dr. K. Azril Ismail and Assoc. Prof. Suzlee Ibrahim (National Academy of Arts, Culture and Heritage / ASWARA, Malaysia); Prof. Jaygo Bloom, MFA (Lasalle College of the Arts, Singapore); and from ISI Bali: Dr. Ni Made Arshiniwati (Chair of the Senate), Prof. Dr. Anak Agung Gde Bagus Udayana (Vice Rector for Academic Affairs and Information Systems), Dr. I Made Jodog (Vice Rector for Planning, Finance, and General Administration), Prof. Dr. I Komang Sudirga (Vice Rector for Student Affairs and Collaboration), and Nyoman Dewi Pebriyani, Ph.D (Director of the Postgraduate Program, ISI Bali).
Photo: Opening Ceremony of B-GAAD II 2025, Tuesday (October 28) at the Kirtya Sabha Mahottama Auditorium, ISI Bali.
A series of B-GAAD II activities took place from October 27 to 31, 2025, across multiple venues both on and off the ISI Bali campus. The event encompassed a wide range of international programs, including the Bali–Global Arts and Design Symposium (B-GADS), Bali–Global Performing Arts Map (B-GPAM), Bali–Global Art Map Exhibition (B-GAME), Bali–Global Innovative Design Map Exhibition (B-GIDME), Bali–Global Encounter Figure (B-GEF), Bali–Global Authentic Trip (B-GAT), B-GAAD Leaders’ Summit, and the Bali–Global Expo and Job Fair (B-GEJF).
The opening event was enlivened by the World Cultural Carnival, which interpreted the theme Myths–World–Memories through an artistic parade involving all undergraduate, applied bachelor’s, and postgraduate programs of ISI Bali. The occasion also featured the launch of the book and art projectBali–Global Encounter Figure (B-GEF) #1: Unveiling Borrowed Light, a collaborative work by Prof. K. Azril Ismail and Azrul K. Abdullah from ASWARA Malaysia, in partnership with the Agung Rai Museum of Art (ARMA).
As part of the B-GAAD II series, a Woodcut Workshop conducted by Prof. Paul Trinidad from the University of Western Australia was also held for ISI Bali students, enriching the cross-cultural and artistic exchange through shared techniques and creative dialogue. (ISIBALI/Public Relations)
JATILUWIH, TABANAN – The Product Design Study Program, Faculty of Fine Arts and Design, Indonesian Institute of the Arts Denpasar (ISI Bali), carried out a Tri Dharma of Higher Education activity in Jatiluwih Village, Penebel District, Tabanan Regency. This community service program was conducted to empower the Tridatu Jatiluwih Small and Medium Enterprise (SME) Group, focusing on branding development and packaging design for red rice tea — a specialty product made from Cendana red rice, a unique variety found exclusively in Jatiluwih.
“We aim for red rice tea to be recognized not only as a healthy beverage but also as a cultural ambassador of Subak,” said Ni Luh Desi In Diana Sari, the project leader of this community service activity.
The program was implemented through collaboration between lecturers and students of the Product Design Study Program. The participating lecturers included Made Gana Hartadi, Ni Wayan Sri Wahyuni, Genial Nabilaisyah Firdauzi, and Ni Ketut Pande Sarjani.
Exhibition of Red Rice Tea Packaging Products by Tridatu Jatiluwih SME
The packaging design for Jatiluwih Red Rice Tea was developed using a local wisdom–based design approach. The community service team assisted the partner in creating packaging that is not only visually appealing but also reflects the cultural identity of Jatiluwih. The design emphasizes cultural elements such as the Subak irrigation system and the terraced rice field landscape, both recognized by UNESCO as an Intangible Cultural Heritage of Humanity. The packaging integrates visual elements including mountains, the contour of tiered rice terraces, and traditional matekap (traditional plowing field) activities, combined with a natural color palette and comprehensive product information.
Tridatu Jatiluwih SME’s Red Rice Tea Packaging Design
Through a dissemination activity held on Sunday, October 19, 2025, at the UNESCO Monument in Jatiluwih, international tourists gave highly positive responses to the event. Many visitors expressed that the new packaging design of Jatiluwih Red Rice Tea felt more authentic, meaningful, and worthy as a distinctive local souvenir that truly reflects the uniqueness of Jatiluwih — a destination recently awarded Best Tourism Village 2024 by UN Tourism.
Tourists purchasing Red Rice Tea products from Tridatu Jatiluwih SME
In addition to packaging design, the team also provided training on hygienic packaging techniques, eco-friendly paper bag production, and digital promotion strategies for members of the Tridatu SME. It is hoped that this product will become a sustainable creative economy icon, strengthening Jatiluwih’s position as a culture- and sustainability-based tourism destination.
This form of collaboration between the university and the local community reflects ISI Bali’s concrete role in supporting cultural heritage preservation while simultaneously promoting community economic empowerment through design rooted in local values.
The documentation of Product Design Study Program ISI Bali lecturers and Tridatu Jatiluwih SME
Photo: Opening ceremony of IIDSA6 at the Kirtya Sabha Mahottama Auditorium, Citta Kelangen Building, ISI Bali, Thursday (October 9).
The Indonesian Institute of The Arts Bali (ISI Bali) proudly served as the host for the 6th Indonesia Industrial Design Student Award (IIDSA) — the nation’s largest platform recognizing excellence among Product Design students across Indonesia. This prestigious event was attended by 21 Product Design Study Programs from various universities under the Forum of Industrial Product Design Study Programs of Indonesia.
The opening ceremony of IIDSA6 took place on Thursday (October 9) at the Kirtya Sabha Mahottama Auditorium, Citta Kelangen Building, ISI Bali, and was officially inaugurated by Prof. Dr. Wayan “Kun” Adnyana, S.Sn., M.Sn., Rector of ISI Bali.
In his opening remarks, Prof. Kun Adnyana emphasized the importance of strengthening the scientific foundation of product design rooted in national identity.
“Most importantly, every member of the academic community must experience the essence of Indonesianness — the awareness to embrace values, local wisdom, and the rich cultural diversity of the archipelago as the source of inspiration and foundation in creating design works. Industrial product design unites intellectual and creative spirits deeply grounded in our national culture. Congratulations to all Product Design Study Programs across Indonesia for the successful organization of IIDSA6,” said the Professor of Art History.
Meanwhile, Wahyu Indira, M.Sn., Coordinator of the Product Design Study Program at ISI Bali, highlighted that IIDSA6 is more than a competition — it is a platform to appreciate dreams and the creative journeys of young designers.
“In this event, we are not only assessing works but also valuing the dreams, processes, and dedication of young generations in creating design solutions that make a meaningful impact on society and industry. This event serves as a moment to inspire one another and strengthen collaboration among product design students throughout Indonesia,” he stated.
Furthermore, Dr. Guguh Sujatmiko, S.T., M.Ds., Chair of the Indonesian Product Design Forum from the University of Surabaya (UBAYA), expressed that the event exemplifies the spirit of collaboration between students and faculty mentors in developing relevant and impactful product designs.
“Through this event, we foster a collaborative spirit and globalize Indonesian product design so that it becomes beneficial and contributes tangibly to the nation,”he concluded.
Photo: Opening ceremony of IIDSA6 at the Kirtya Sabha Mahottama Auditorium, Citta Kelangen Building, ISI Bali, Thursday (October 9).
The 6th Indonesia Industrial Design Student Award (IIDSA6) took place over two days, October 9–10, 2025, featuring a diverse series of activities including exhibitions, seminars, talk shows, project presentations, an awarding ceremony, a book launch, and a forum discussion to plan the 2026 agenda.
In conjunction with IIDSA6, ISI Bali also hosted the National Product Design Exhibition under the theme “Desain Bertutur: Merangkai Bukti, Menjaga Tradisi Nusantara” (Design Speaks: Weaving Evidence, Preserving the Archipelagic Tradition), held at the Vicon Room, 2nd Floor of the Citta Kelangen Building, ISI Bali.
The event was attended by several prominent figures in the field of product design, including Achmad Syarief, S.Sn., M.S.D., Ph.D. (Institut Teknologi Bandung), Dr. Rahmawan Dwi Prasetya, S.Sn., M.Si. (Institut Seni Indonesia Yogyakarta), Dr. Zaki Saptiar Saldi, S.T., M.Eng. (Universitas Pembangunan Jaya), Dr. Guguh Sujatmiko (Universitas Surabaya), Ira Samri, M.Ds. (Universitas Paramadina), Winta Tridhatu Satwikasant, Ph.D. (Universitas Kristen Duta Wacana), and Prananda Luffiansyah Malasan, S.Ds.., M.Ds., Ph.D. (Institut Teknologi Bandung), who also serves as the Chairperson of the Indonesian Industrial Product Design Association (ADPII) Central Board.
Through the organization of IIDSA6, ISI Bali reaffirms its role as a meeting ground for academics and practitioners in design, fostering innovation, expanding networks, and strengthening the position of Indonesian product design both nationally and globally. This event also serves as an important moment for the younger generation of designers to showcase their finest works, enrich their creative experiences, and cultivate a spirit of Indonesianess rooted in the cultural richness of the archipelago. (ISIBALI/Public Relations)
Photo: The Rector of ISI Bali, Prof. Dr. Wayan “Kun” Adnyana, officiates the inauguration of structural officials for the 2025–2029 term at the Kirtya Sabha Mahottama Ballroom, Citta Kelangen Building, 3rd Floor, ISI Bali, on Monday (October 6).
The Indonesian Institute of the Arts Denpasar (ISI Bali) held an inauguration and oath-taking ceremony for newly appointed structural officials for the 2025–2029 term, comprising deans and vice-deans, heads and secretaries of institutes, program coordinators, heads of academic support units, and heads of centers. The event took place at the Kirtya Sabha Mahottama Ballroom, Citta Kelangen Building, 3rd Floor, ISI Bali, on Monday (Soma Umanis, Wuku Tolu Purnaming Sasih Kapat), October 6, 2025.
A total of 36 officials were inaugurated and took their oaths of office, directly officiated by the Rector of ISI Bali, Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. The inauguration marked the conclusion of the 2021–2025 term and served as a strategic step to strengthen governance and institutional performance within ISI Bali.
Photo: Inauguration of structural officials for the 2025–2029 term at the Kirtya Sabha Mahottama Ballroom, Citta Kelangen Building, 3rd Floor, ISI Bali, on Monday (October 6).
One of the newly inaugurated officials was Dr. I Gede Yudarta, who now serves as Dean of the Faculty of Performing Arts (FSP), succeeding Dr. I Ketut Garwa. Meanwhile, Dr. I Ketut Garwa has been entrusted with a new responsibility as Head of the Institute for Research and Community Service (LPPM) at ISI Bali.
Other officials inaugurated included I Wayan Diana Putra, M.Sn., as Vice Dean for Academic Affairs of FSP; Dr. I Made Kartawan as Vice Dean for General Affairs and Finance of FSP; and I Kadek Widnyana, M.Sn., who continues to serve as Vice Dean for Student Affairs and Cooperation of FSP.
Meanwhile, the position of Vice Dean for Student Affairs and Cooperation at the Faculty of Fine Arts and Design (FSRD) is now held by Dr. Ni Luh Desi In Diana Sari, succeeding Ni Kadek Dwiyani, M.Hum., who has been appointed as Coordinator for International Affairs at ISI Bali.
Photo: Inauguration of structural officials for the 2025–2029 term at the Kirtya Sabha Mahottama Ballroom, Citta Kelangen Building, 3rd Floor, ISI Bali, on Monday (October 6).
The inauguration ceremony was held solemnly and attended by faculty members and administrative staff, both civil servants (ASN) and non-civil servants (Non-ASN), who provided their full support for the smooth execution of the event.
In his remarks, the Rector of ISI Bali, Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn., extended his congratulations to the newly appointed officials and expressed his appreciation to those who had completed their terms of service.
“I would like to congratulate the newly inaugurated officials. May you carry out this mandate with a deep sense of responsibility, dedication, and collective spirit for the advancement of ISI Bali. To those who have completed their tenure, we extend our gratitude and highest appreciation for your devotion, hard work, and valuable contributions throughout your service,” said Prof. Kun Adnyana.
