The 2024 Bali-Global Arts and Design Symposium (B-GADS), themed “The Role of Arts and Design Innovation in Achieving People’s Prosperity in a Sustainable Environment,” aimed to explore how art and design can positively impact society while maintaining a harmonious balance between humans and nature.

The 2024 B-GADS featured three keynote speakers: the Consul General of Japan, Katsutoshi Miyakawa; the Australian Consul, Amelia Ekkel; and the Rector of ISI Bali, Prof. Dr. I Wayan ‘Kun’ Adnyana. In addition, 28 invited speakers participated, including: Prof. Izumi Hatano (Okinawa Prefectural University of Arts); Prof. Tolysbayeva Zh. (Kazakh National Academy of Choreography); Prof. K. Azril Ismail (ASWARA, Malaysia); Georgette Yu (Nanyang Academy of Fine Arts); Dr. Jean Couteau (France); and Ass. Prof. Paul Trinidad (University of Western Australia).

The upcoming B-GADS II in 2025 will carry the theme “Myths and Noble Wisdom of Asia-Pacific Civilization”, where each speaker will deliver an oration on myths and the noble wisdom of Asia-Pacific cultures—based on contemporary perspectives, spiritual reflections, or contextual analyses. Invitations have been distributed to leading universities across the Asia-Pacific region.

Theme            : Myths and Noble Wisdom of Asia-Pacific Civilization.

Description     : Each speaker delivers an oration on the myths and noble wisdom of Asia-Pacific cultures based on current or latest perspectives, spiritual reflections, or contextual analysis. The orations are presented as paper showcased through engaging visual format.

Call for papers:

Abstract 250 words (deadline: June 30, 2025)

Full paper 3000-5000 words (deadline: July 31, 2025)

Full paper will be published in e-Proceeding

Please follow the link for submission :

https://eproceeding.isibali.ac.id/index.php/b-gads/index

The 2024 Bali-Global Performing Arts Map (B-GPAM) adopted the theme “Body, Nature, and Balance,” exploring the relationship between the human body and the universe. This inaugural B-GPAM featured the colossal performance Candet Ding Padmeswari Kalpa as the highlight of the B-GAAD I 2024 opening ceremony.

The Candet Ding Padmeswari Kalpa performance represents a contemporary transformation of 100 Years of Cak, blending the classical stylization of Pagambuhan, choral vocal chants, and the mystical depth of Selonding music, the sweet tones of Balinese flute, and the grandeur of Western orchestration. Padmeswari Kalpa symbolizes the Padmabhuwana script—a sacred representation of Balinese-Javanese traditional wisdom—exalted in the form of Saraswati, the great goddess of knowledge and the eternal light guiding the course of history and civilization. Candet Ding Padmeswari Kalpa is a colossal work of performing arts, a narration of time, a seeker’s spiritual journey, and a chronicle of sacred literary ascension across the cosmos.

B-GPAM II, to be held in 2025, carries the theme “Myths in the Creation of New Repertoires,” showcasing diverse performances that interpret living local myths embedded in the cultures of the Asia-Pacific region. The myths presented are expected to embody a spirit of preservation and celebration of true humanity. This year’s program invites universities across Asia-Pacific to send one dance team contingent, consisting of at least five dancers per group.

Theme            : Myths in the Creation of New Repertoires

Description     : A variety of performances interpreting local myths that live within the cultures of the Asia-Pacific region. The elaborated myths should embody a spirit of conservation, wise reasoning, and a celebration of true humanity.

Performing arts terms:

Performers: 1 – 5 Artists

Duration: 5-10 minutes

Confirmation deadline: July 31, 2025

The Bali-Global Art Map Exhibition (B-GAME), with the theme “Bodies in and around Nature,” explored the artistic relationship between humans and the world through various media such as painting, installation, sculpture, and video. B-GAME I featured 106 artists presenting 119 works, held across three iconic venues: ARMA Museum exhibited 55 works by 49 artists; Komaneka Art Gallery exhibited 41 works by 34 artists; Tonyraka Art Gallery exhibited 23 works by 23 artists.

For B-GAAD II 2025, the exhibition will carry the theme “Myths and Memories in the Creation of New Forms,”intended as an exploration of new stylistic and aesthetic approaches through thematic excavation rooted in myths and memories. It offers a spirit of preservation while celebrating authentic humanity through various media such as painting, installation, sculpture, photography, video art, and multimedia.

Theme            : Myths and Memories in the Creation of New Forms

Description     : An exploration of new stylistic and aesthetic approaches through thematic excavation based on myths and memories; offering a spirit of conservation and celebrating true humanity on various mediums such as painting, installation, sculpture, photography art, video art, and multimedia.

Artwork specification:

• 2D artwork

Max. 60 x 200 cm (rolled)

Max. weight 7 KG

Medium: acrylic, oil, mixed, etc.

• 3D artwork

Max. size 40 x 50 x 70 cm (flexible packing)

Max. weight 7 KG

Medium: harmless materials

• Video artwork

Duration 15-20 minutes

File format – mp4

Confirmation deadline: July 31, 2025

Shipping and return become respective responsibilities

The Bali-Global Art Map Exhibition (B-GAME), with the theme “Bodies in and around Nature,” is a design exploration of the relationship between humans and the world through various media such as digital prints, prototype designs, textiles, and hand-drawn design illustrations. The exhibition was held at Nata Citta Art Space (NCAS), featuring 63 designers showcasing 72 design works. All participating designers were prominent figures in the Indonesian and international design scenes, including Shingo Sato, G.K.B.R.A.A. Paku Alam, Melati Danes, Runi Palar, Kadek Sosiawan, Shigemi Shakakibara, among others.

In B-GIDME 2025, the theme will be “Myths and Memories on Current Design Innovation,” where design creations explore myths and memory reflections, embodying a spirit of preservation, thoughtful insight, and celebration of true humanity through various forms of design, including analog prints, digital works, prototype design, textiles, and hand-drawn illustrations.

Theme            : Myths and Memories on Current Design Innovation

Description     : Design creation inspired by the exploration of myths and reflections on memories; embodying a spirit of conservation, wise reasoning, and the celebrationof true humanity through various design forms, including analog prints, digital works, prototype designs, textiles, and manual design drawings.

Design specification:

• 2D

Max. 60 x 200 cm (rolled)

Max. weight 7 KG

Medium: digital printed or manual

• Prototype Design

Max. size 40 x 50 x 70 cm (flexible packing)

Max. weight 7 KG

Medium: harmless materials

Confirmation deadline: July 31, 2025

Shipping and return become respective responsibilities

The Bali-Global Encounter Figure (B-GEF) I  in 2024 carried the theme “Creative Encounter,” highlighting authentic individual and collective experiences of artists, cultural figures, and/or critics. B-GEF I 2024 specifically featured Ass. Prof. Peera Phanlukthao, Ph.D (Mahasarakham University, Thailand), who conducted a ballet workshop for students of ISI BALI.

B-GEF II in 2025 will carry the theme “Myth Narratives in the Works of Renowned Maestros or Academics,” offering a dialogue on individual and collective relationships through creative collaboration involving maestros, artists, cultural figures, or critics, presented in a workshop format.

Theme            : Myth Narratives in the works of renowned maestros or academics

Description     : A dialogue on individual and collective interrelations; a creative collaboration involving maestros, artists, cultural figures, or critics in a workshop format.

Bali-Global Expo and Job Fair (B-GEJF) is an exhibition event held in collaboration with several strategic partners, aiming to expand networks among students, alumni, and professionals in the fields of art and design. It took place as part of the Bali-Global Axis of Arts and Design (B-GAAD) series over three days, from October 21 to 23, 2024. Students, lecturers, alumni, education staff, B-GAAD delegates from both domestic and international institutions, and the general public enthusiastically visited each booth, enjoying the products while engaging in dialogue with the tenants.

The Expo served as a platform for showcasing innovative products from student start-ups at ISI BALI (formerly ISI Denpasar). It featured 12 student entrepreneurs engaged in fashion, accessories, crafts, and artworks. The participating ISI BALI student brands included: KRAFFLEATHER, AYEST CRAFT, Udeng Buyar, Comfyknits, Declasse BYPD, CKT Archive, Litlethings_bymind, Fairyestudio, Secret Sauce, Wastha, DML, and Manu-Usa.

The students’ participation not only demonstrated entrepreneurial skills but also reflected the application of knowledge in art and design management, as well as principles of product communication. They built a conceptual connection between business practices, brand identity, and the products they created. These students successfully formulated a unique relational concept between the three components—business, branding, and product—in a way that reflects the genius of Generation Z.

The Bali Job Fair featured four companies: CV. Casa Annie, Kaustubha, The Keranjang Bali, and Biasa Art. This event allowed ISI Denpasar alumni to gain access to employment opportunities, entrepreneurial networks, and potential partnerships.

B-GAAD Leaders’ Summit I 2024 invited heads of Master’s and Doctoral programs in Art and Design from across Indonesia. A total of 22 participants from 10 universities attended, namely: ISI Denpasar, Yogyakarta State University (UNY), Indonesia University of Education (UPI), Semarang State University (UNNES), ISI Yogyakarta, Gadjah Mada University (UGM), Sebelas Maret University (UNS), ISBI Bandung, Surabaya State University (UNESA), and ISI Surakarta.

B-GAAD Leaders’ Summit II in 2025 will invite Rectors/Presidents/Vice Chancellors of universities offering higher education in art and design across the Asia-Pacific region. Each leader in attendance will be given the honor of presenting their perspectives and paradigms in managing higher education in art and design, particularly in relation to commitment to social prosperity, the elevation of local wisdom, and ecological conservation.

Theme            : The Asia Pacific Solidarity for New Innovation

Description     : This event warmly welcomes all the leaders of Higher Education in Arts and Design in the Asia Pacific with inviting atmosphere of Bali—the Island of Gods—a historical locus for world leaders meeting. Each leader is given the opportunity to present their perspective and paradigms on managing arts and design higher education that committed to the prosperity of people, preservation of local cultures, and conservation of ecological balance in the spirit of Asia Pacific solidarity.

Bali-Global Authentic Trip (B-GAT) is a profound and meaningful cultural journey into the natural spaces of Bali, offering a unique and authentic experience—distinct from ordinary tourist activities. One of the offerings of B-GAT includes water rituals, which involve engaging with symbols and practices of self-purification in harmony with nature.

Participants of B-GAT are also invited to interact with maestros, practitioners of local traditions, and prominent Balinese artists and spiritual figures who possess deep knowledge of Bali’s traditions and life philosophies. These interactions provide an opportunity to gain firsthand experience from true bearers of Balinese culture.

Theme            : Experiencing and Memorizing Bali as a Island of Living Myths

Description     : A cultural journey to selected archeological and anthropological sites; rich in values of narratives on the harmony between nature and humanity; along with historical accounts of true human essence. In Bali particularly, sites, artefacts, and objects of Myths exist in harmony with social and cultural society.